The influence of Money. The Story of Judas, the disciple with the moneybag

What it is to be a Substance? and What it is to Exist? We need to establish knowledge about the man and the world on a firm basis and the information it provides must be tested for its accuracy and consistency with an external reality. We have to make the fundamental distinction between the living …

Spiritual Optics. The concept of Whole Aesthetics.

plants, and animals have no cognitive abilities to produce the coloration by which they are recognized. However, the coloration displayed gives us a clue about the nature of the “Whole Artist” who could be using imagination, has feelings for the forms created and seeks satisfaction from the visual effects that he produced. If man has the ability called visual perception, he must use the ability to visualize the “Whole Artist” who is at work.

Spiritual Optics. The creative use of pigments

The role of pigments in biological coloration displays the role of an artist who chooses the pigments to generate a desired visual effect in organisms that have the visual capacity to recognize the color.

Spiritual Interactions between Time and Matter

Chemistry describes the material basis of time-life spiritual interactions that are involved in Life and Death.

The Material Basis of Spirituality Science. Animate vs Inanimate Dualism

The division or separation, or distinction of man as perishable body and imperishable Soul is fundamentally flawed for both Animate and Inanimate Matter derive their nature from unvarying and unchanging properties of the Chemical Elements. Animate vs Inanimate Dualism is primarily based upon Vital Operations and Mechanical Operations and it is not concerned with physical or chemical properties of Matter. To that extent, in my analysis, the Four Upanishadic Aphorisms or Mahavakyas make claims not supported by the real nature of Matter.