What it is to be a Substance? and What it is to Exist? We need to establish knowledge about the man and the world on a firm basis and the information it provides must be tested for its accuracy and consistency with an external reality. We have to make the fundamental distinction between the living and the non-living matter. The scientific advances of the 19th and 20th centuries reinforced the materialistic position concerning the basic similarity of organic living and inorganic physical matter. The man is viewed as a product of natural evolution and is thought to be subject to the same laws of Physics and Chemistry or mechanistic principles.
We need a methodology to study philosophy and to understand philosophical statements. Logical Positivism, also known as Scientific Empiricism aims to clarify concepts in both everyday and scientific language. It describes analysis of language as the function of philosophy. This analysis of language and of concepts is important to understand questions of belief and ideology which affect what we think we ought to do individually and socially. I would use this method of ‘Applied Philosophy’ to analyze the concept of Spiritual Optics, the Spiritual dimension of biological coloration.
The Concept of Whole Artist:
The term artist is used to describe a person who works in, or is skilled in the technique of any of the fine arts, especially in painting, drawing, and sculpture. The term artistry describes the artistic ability which includes the use of imagination, a feeling for form, and a feeling for effect. I am using the term ‘Whole Artist’ to discover the person who may have used imagination to create forms to produce desired effects while the form itself lacks the cognitive abilities to generate its own form. Plants may produce flowers of different colors while they essentially lack cognitive abilities to recognize the visual effect of the color they produce. The study, the theory of beauty, or Aesthetics helps us to know the nature of the artist.
Whole Dude-Whole Designer-Whole Aesthetics
Aesthetics is a branch of philosophy dealing with the nature of art and the criteria of artistic judgment. Aesthetics involves the study or theory of beauty and of the psychological responses to it. Aesthetics has developed into a broad field of knowledge and inquiry. The term was coined by Alexander Gottlieb Baumgarten to denote a realm of concrete knowledge in which content is communicated in sensory form. Now the term is applied to the study of all the works of the fine arts, the useful arts (crafts) and natural phenomena (eg., landscapes, the human face and body) that have aesthetic value and generate an experience called aesthetic experience. Plato and Aristotle formulated the conception of art as an imitation of nature. Beauty inheres in the object itself and may be judged objectively. Hume identified beauty with that which pleases the observer. Baumgarten emphasized on the importance of feeling. If art imitates nature, the artist must deliberately alter nature by adding elements of feeling to perceive reality. The artistic process involves the use of illusion to mirror the creative process of the world.
A STUDY IN AESTHETICS-THE BIRTH OF TRAGEDY OUT OF THE SPIRIT OF MUSIC:
In his first book, The Birth of Tragedy Out of the Spirit of Music (1872), German philosopher Nietzsche presents a theory of Greek mythology and of the foundations of art. He introduced his famous distinction or dichotomy between the Apollonian or rational element in human nature, and the Dionysian or passionate element of human nature as exemplified in the Greek gods Apollo and Dionysus. In Nietzsche’s view, man achieves a momentary harmony with the Primordial Mystery when the two principles of rational and passionate nature are blended either in art or in life. His book remains a classic in the history of Aesthetics to this day.
Nietzsche describes an art form that transcends the pessimism and nihilism of a fundamentally meaningless world. The tragedy of Ancient Greece was the highest form of art. The Apollonian element represents measure, restraint, and harmony The Apollonian element is found in the dialogue which gives a concrete symbolism that balances the Dionysian element. The Apollonian spirit is able to give form to the abstract Dionysian. Nietzsche claims that the Dionysian element is to be found in the music of the chorus. Under the influence of wine or of narcotic draught, the Dionysian element makes everything subjective to vanish into complete self-forgetfulness.
Nietzsche describes the inseparable ecstasy and suffering of human existence. He states that man’s ability to live creatively in optimistic harmony with the sufferings of life demand the use of both Apollonian and Dionysian elements. Plato reasons that it is only an aesthetic phenomenon that existence and world are eternally justified. However, Nietzsche claims that knowledge and rationality in themselves do nothing to justify existence and the world. In Nietzsche’s view, life finds meaning only through art, music and tragedy. Existence and world become meaningful not as objects of knowledge but as artistic experiences. Nietzsche includes the Buddhist or the Eastern philosophy of pain and suffering as an inescapable attribute of human existence and emphasizes a tragic longing for nothingness and the absence of will. Nietzsche recommends to live a life in a human-dreamt world of illusions. He sees existence as an illusion of illusion. Nietzsche bemoaned the final destruction of Greek tragedy by Greek philosophical inquiry which sought a more logical connection between Nature and mankind. Euripides, Socrates and their disciples demanded a rational explanation of the Greek myths and caused the final destruction of Ancient Greece’s religion and culture.
WHOLE AESTHETICS-WHOLE EXISTENCE-WHOLE UNITY-WHOLE HARMONY:
Aesthetics involves the study of objects that have an inherent aesthetic quality to generate an aesthetic experience in the mind of an observer who has the capacity to interpret sensory information. An artist uses the artistic process to capture the creative process of the world by integrating illusion with reality.
In my analysis, the conflict in the nature of human existence is caused by the tension between the two basic elements called Dependence, and Freedom. Human Dependence upon an external source of energy and sustenance is made possible by the vital, animating principle called Spirit or Soul. The Joy, the Happiness, the Blissful condition of Existence gives the man the desire for Freedom, the Freedom or the Independence from Dependence that establishes the Existence. The pursuit of Freedom may make man to live dangerously with a spirit of recklessness. Finally, Death is inevitable as there is no escape from the nature of Dependent Existence. The man uses the power of Imagination to secure his Freedom from Death and Dependence. The man creates an illusion of eternal Life in which he sees the illusion of his Freedom. Spirit is the principle that governs the man’s desire for Freedom, and Independence. It is with the principle of Spirit the man is able to dream, imagine, and create an illusion that gives him the relief or the escape from the reality of pain and suffering.
I use the term ‘Whole Aesthetics’ to describe the integration of the human body with the principles of soul and spirit to bring ‘Whole Unity’ and ‘Whole Harmony’ between the conflicting elements of Dependence and Freedom by using an artistic process of combining Reality with Illusion. I use the term ‘Whole Aesthetics’ to describe the ‘Wholeness’ of Human Existence that requires the ‘Whole Harmony’ between Dependence and Freedom, the Whole Harmony between Illusion and Reality, the ‘Whole Unity’ between the human body, spirit and soul. I find the application of this artistic process in the works of Whole Artist or Whole Designer who makes the man to live on the surface of a fast spinning object called planet Earth where the Power of Time churns every future instant into a past instant without ever giving man the chance to recognize the experience of a present instant. Whole Aesthetics captures the beauty of the reality of human existence derived from the experience of illusion.